英語(yǔ)本科畢業(yè)論文黑人之音—美國(guó)黑人的布魯斯與說(shuō)唱

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1、 本科畢業(yè)論文 黑人之音美國(guó)黑人的 布魯斯與說(shuō)唱學(xué)生姓名： 學(xué)生學(xué)號(hào)： 200320207054 院（系）： 外國(guó)語(yǔ)學(xué)院 年級(jí)專業(yè)： 2003級(jí)英語(yǔ)本科5班 指導(dǎo)教師： 二七年五月The Voices of the BlacksBlues and RapWang WeiUnder the Supervision ofYuan Bin School of Foreign Languages and CulturesPanzhihua UniversityMay 2007攀枝花學(xué)院本科畢業(yè)論文 ContentsContentsAbstractIKey WordsI摘 要II關(guān)鍵詞IIIntrodu

2、ction1I. Blues as the Voice of the Blacks2A. The Original Blues2B. Blues in the 20th Century and its Social Function31. Blues in the1920s32. Blues in the 1940s-1960s33. Blues in the 1980s5II.Rap as the Voice of the Blacks.7A. Rap in the 20th Century and its Social Function.71. The Birth of Rap.72. R

3、ap in the 1970s-1990s.7B. Rap in the 21st Century.10Conclusion.12Ackonwledgements.14Notes.15Bibliography.16攀枝花學(xué)院本科畢業(yè)論文 AbstractAbstractAlong with the policy of reform and opening to the outside world, people in China have gradually accepted foreign music, among which Blues and Rap from Afro-American

4、s are the most popular. At the very beginning, the Whites dont accept them and believe that they dont belong to music, let alone art. As time flies, Blues and Rap spread rapidly in the U.S.A and then sweep the whole world. However, though the Black music has generally been accepted and beloved in th

5、e society, racism is still haunting the United States, the Blacks have not been treated fairly and equally as the Whites, and the social lives of the Blacks would not be improved substantially. Base on the analysis of the root and development of Blues and Rap and their social functions as voices of

6、the Blacks, the paper tries to demonstrate the social conditions of the Blacks in America. Key Words Blues; Rap; the blacks; discrimination; voices 攀枝花學(xué)院本科畢業(yè)論文 摘要摘要隨著改革開(kāi)放，在中國(guó)人們已經(jīng)逐漸接受了外國(guó)音樂(lè), 其中起源于美國(guó)黑人的布魯斯和說(shuō)唱是最為流行的音樂(lè)形式。很久以前，白人排斥它們并且不認(rèn)為這屬于音樂(lè)，更談不上是藝術(shù)。但隨著時(shí)間的流逝，布魯斯和說(shuō)唱已經(jīng)流傳于整個(gè)美國(guó)甚至全世界。然而盡管黑人音樂(lè)已經(jīng)得到人們的認(rèn)可和接受，但種族

7、主義的幽靈仍然在美國(guó)游蕩，美國(guó)黑人仍未能享受到同白人一樣的公平待遇，其社會(huì)地位并沒(méi)有得到真正意義上的提高。本文試圖在分析布魯斯和說(shuō)唱的起源和發(fā)展以及其在各階段所展現(xiàn)的作為黑人之聲的社會(huì)功能的基礎(chǔ)上，探討美國(guó)黑人的社會(huì)生活狀況。關(guān)鍵詞布魯斯；說(shuō)唱；黑人；歧視；心聲16攀枝花學(xué)院本科畢業(yè)論文IntroductionIntroductionBlues and Rap are typical black music. Blues commonly expresses the blue and depressive emotions of the Blacks. The early musical co

8、mposition picked up music subject matters of hard life, unfair destiny, lost ideal and destroyed love. Later, Blues began to express more individual emotions which were produced in the period of industrial civilization, such as fear of death. Rap is a street music. Without support of major radio and

9、 music companies, Rap once struggled to spread around the black communities of New York, but very soon it swept over America. Most of its words are very incisive and powerful and mainly originate from criminal events of the society, especially the Black communities. In this sense, Rap is just a refl

10、ection of the reality of the black communities.From the perspective of style, Blues and Rap are the combination of hard and soft music, and with metallic and strong rhythm, giving people an unprecedented impression. From the perspective of content, Blues and Rap are straight and bold with a clear st

11、and. They are the very embodiment of the pursuit of freedom. From the perspective of social function, Blues and Rap deeply show the struggles of the Afro-Americans against racial discrimination and serve as voices of the Blacks. Based on the analysis of their birth, development in different periods

12、of time and these characteristics, the paper demonstrates the voices of the Blacks and their social lives in a society where they are discriminated and deprived of equal rights with the Whites.攀枝花學(xué)院本科畢業(yè)論文BodyI. Blues as the Voice of the BlacksA The Original BluesWhen the Blacks were peddled from Afr

13、ica to the New World, some special African musical elements were also brought to America. Those people were born with rhythm and extraordinary musicality. The excellent innate ability was inherited by their later generations who lived in the U.S.A. The Blacks had a hard life in America, but the diff

14、iculties never wore away their aspiration of music. Instead, they found many ways to make music. Working, they sang songs; having a rest, they did it; being happy or sad, they did it; when a baby was born, they sang songs to celebrate; when somebody died, they also did it to see him off.The African

15、music owned some special rhymes and various forms of vocal music. In Africa, this style of music was popular. African music was gradually absorbing the characters of string instruments and formed a new music, which was full of sadness. That is Blues. Blues belonged to the pure black folk music. It w

16、as mainly spread out in the South America, particularly the area of Mississippi triangle. When the first batch of the Blacks was sold there, a blue melody was hovered in their brains.Most early Blues singers got inspirations from their ancestries and sought themes from daily lives. To them, Blues wa

17、s a way to express their feelings, not a fashion to get the understanding or sympathy from the white people. So, these characters and qualities endowed Blues a prosperous vitality.The original Blues usually conveyed sad and depressive emotions of the Blacks. In a word, sadness is an eternal theme of

18、 Blues. Generally speaking, Blues adopts a direct way to describe their feeling and emotions from deep heart. In the 19th century, due to the economic disintegration in the south, abundant slaves led a wretched life far from home. So, the Black music was also circulated to other areas, which advance

19、d the spread of Blues and helped Blues absorb new forms of expression and techniques of manifestation. In the south, Blues began to combine with work songs that were much more dynamic. B. Blues in the 20th Century and its Social Function1. Blues in the 1920sIn the 20th century, Blues met with new op

20、portunities and challenges. In the 1920s, MamiSmith, for the first time, made disc from songs of Blues. Thereby, Blues had gone up on a new stage. At that time, the Blues singers were almost black women. Through their efforts, Blues became a brand-new form of music accepted by more and more popular

21、music lovers.2. Blues in the 1940s-1960sAfter World War II, the center of Blues had been moved to big cities such as Chicago. In the region of black inhabitants, the form and manifestation of Blues wasnt only a social phenomenon in the imperialist society, but also a product with the policy of racia

22、l discrimination of the monopoly capitalist class. In order to extort a high profit from the blacks, American monopoly capitalist class pursued a policy of racial discrimination. They droved away millions of Blacks to the slums and put into practice bloody suppression and cruel exploitation. Living

23、in poor housing conditions, the blacks almost could not get any living allowances or housing loans by the government. In this case, most Black singers had to perform in pubs. For the American Black musicians, the only stage for them was the bars in noisy environments and in the face of drinking list

24、eners. To enhance the performance affections in a rowdy pub, singers used microphone and electric guitar to sing songs. In the 1950s, the Rhyme and Blues relied on its strongly accented rhythms and intense sense stimulations to make surprising attack on the American popular music circles. Then, the

25、urban Blues music was produced. Its style was based on the Gospel music; and it used intense sound and rhythm to express the noisy city life and roaring machines. Then, another new music appeared: Rock.Rock was produced after World War .To be a new music form it was destined to be a significant part

26、 in the lives of the young people. Rock depended on its special charm to conquer the younger generation all over the world. In this period, Rock still only belonged to the Blacks, specially the urban young Blacks. The White class had virtually no chance to come into contact with the Blacks lives for

27、 all. However, the Whites were longing for new forms of music. They grew up after World War II. With a sense of indifference and spiritual emptiness, they had been gradually tired of those old noisy songs, and waited for another kind of music which was unrestrained to vent their feelings. Little by

28、little, Rock was spread out all over America. At the very beginning, people seemed to have overlooked this kind of music created by the blacks. In 1955, the song of Rock Around The Clock had shocked the popular music circles in the U.S.A. It was the first song sold by white Rock band. Countless youn

29、g people danced with music at the invention of new steps in the street. The era of Rock arrived in 1955.Elvis Prisley was the most attractive singer in the history of Rock music. He used to show a frank and clear-cut way to sing the heartfelt wish of the youth. In the heart of the youth, “Prisley” i

30、s not only a name, but also a symbol of young adulthood, love and art. In a sense, Rock changed popular cultures in America, and even in the Western World, while Elvis Prisley made a whole generation of people to be a special group who began to seek a different life style and begin to reexamine them

31、selves. In pace with the rise of cultural movements of the youth in the 1960s, Rock had been noticed once again. In fact, Rock had exceeded the region of old popular music. It was like a religion which only belonged to the youth. Rock had broken the frame of traditional music and dance, and became a

32、 prelude of drugs and sex liberation.Even though Elvis Prisley was a White singer, his songs embodied all the good wishes of the Blacks, such as the desire for freedom and happiness. In the song of clambake, it says, “Look for the brightest lights in town, thats where youll find me hanging round. Iv

33、e got this feeling to be free, I pick and choose the life I want, and thats the life for me. Clambake, goanna have a clambake” For common people, clambake was just an ordinary family action, but it made the Blacks excited. In modern cities, people were likely to become indifferent and insensitive. F

34、or the Blacks, the love of family and the sympathy of society had become too luxurious to afford. When their inner world was open, they would feel the wonder of life, feel how delicious the clambake is, and feel how fair the rights are. In this sense, Rock is never lack of thoughts and inspirations.

35、3. Blues in the 1980sIn the 1980s, Blues achieved a new high tide. A new black starMichael Jackson continued the style of Blues. He issued the album Off the Wall, and rapidly became a top singer, and won the Laurel of the best Blues male singers laurel in Grammy Award. Michael was a born singer. He

36、dived into a new execution of his albums and strived to show his elegance. In 1982, he brought out his completely new album Thriller; it put his career into a summit. In it, Billie Jean and Beat It leapt to the first place about 7weeks and 3 weeks respectively. The sales volume of thriller reached 3

37、0 million discs rapidly. It became the best-selling recorded music in the Rock performance. However, behind the brightness and refulgence, it covered a deep loneliness. Michael was obviously different from the true life. To be a public figure, Michael was sensitive and shy; he locked himself up in h

38、is life. He didnt like to keep his head down in public occasions and especially afraid to be interviewed in the presence of masses. His character and psychology were relative with his experiences in the childhood. In his infancy, Michael and his brothers were forced to live as adults. They ached to

39、perform, practice and work. To a mere child, it was a big challenge to perform for hundreds of audiences every night. In this sense, Michael had never had a real childhood. Later, all his past experiences were reflected in his music. Undoubtedly, Michael Jackson was a true representative of the Blac

40、ks. He was enthusiastic and open. He never gave up the pursuit of love and a better life. In the song of the Lady in My Life, it says, “Dont need any fortune or fame; I just want you close to me. No time for castes in place, or livin in make believe. Id trade it all for just a rainy day, as long as

41、I know youll be there.” The Blacks did not believe in destiny; they had the courage to take the blame for what they did. Their expression of love was frank and honest. Probably thousands of the Whites were complaining about their bluntness; probably the government put a curse on them. However, their

42、 music was showing their magnificent culture to all people; they need to express their discontents, angers and dreams, and the best way was to release the passions with music.Now, it is easy to deduce that Michael was a representative of all the Blacks in America. In fact, discrimination is still cr

43、itical today. Even if the Blacks work redundantly, they were still discriminated. The Black workers work in the most odious section with the lowest salary, and work in the condition of danger; the mortality of the Black workers is much higher than that of the White workers and the rate of occupation

44、al disease is higher, too. There is no power in the labor union and most of the Blacks only work as groceries or waiters. The average salary of the Blacks is only half of the whites. Most of the blacks are poor, out of work and penniless because they still live in the third world of the society. For

45、 them, the higher the wall of discrimination is, the deeper the trench is. This is, undoubtedly, the reason why Michael takes a road of entertainment.攀枝花學(xué)院本科畢業(yè)論文 BodyII. Rap as the Voice of the BlacksA. Rap in the 20th Century and its Social Function1. The Birth of RapFacing the unfair treatment, th

46、e Blacks became very angry; they continued to use music to express their indignation. As a new form of music, Rap gradually became a major means for them to express their feelings and emotions. In addition to the Rhyme and Blues, Rap also plays a very important role in their lives. It originates fro

47、m their special accent and sense of rhyme. It was combined with a special form of exhibition of dance.At that time, RB was just fashionable to America, and Rap was an accessory of Blues. In musical performance, DJ creatively used some vocal mimicries and his own voice in the manifestation, and thus

48、the early Rap was formed. 2. Rap in the 1970s1990sIn the late of 1970s, some singers brought their Rap samples to volunteer their services for big Disc Companies, but at that time it was full of RB, and nobody would like to produce a single song in the new music style. So, some Rap singers recorded

49、their own songs at home, and drove to sell them. Originally, Rap was limited in broadcasting station of black Communities and it was difficult to extend this form of music to the outside world. In 1981, Aaron Fuchs established the first Rap Single Disc Company Tuff City Record, to make albums for Ra

50、p singers, and made the underground music legalized. Several years later, many big Disc Companies invested abundant money in it. Since then, Rap had jumped out of the Black Communities and spread out all around America.Rap originated from African culture, and its content was not as miserable as that

51、 of Jazz. Rap also expressed the unfair life, but singers adopted a hard fashion to show it, just like an actionist who was permeated with cynicism. Rap inherited all the characters of African fighting spirit and focused every aspect of the Blacks lives in America. Rap was a street music; it mainly

52、expressed the lives of the blacks in slums and the discrimination in the white society. Some lyrics even overturned the trend of the white America. There were many social conflicts between the Blacks and the Whites, so the Blacks use Rap to express their true lives. At that time, though America was

53、already an open society, the government emphasized the necessity of traditional ethics. Rap advertised the privation of life in gutter, the breakdown of social relations, the trend of violence, the flooding of drugs, guns and the desires of pornography. Rap singers reminded the Blacks not to be ensl

54、aved by the Whites, not to forget their ethic identity. They sang a different tune to the society, making many officials worried about them. Rap singers considered that they just reflected the status quo of the Blacks, and theyd not like to purify the contents of their songs. So, the banning rate of

55、 Rap was increasing. However, the entire swan was goose in the situation of execution; it spurred on Rap to be known by more people. Once, a Rap singe Sir Mix-A-Lot said, “People like Rap, not because of its rhyme, because people could speak their minds freely, express the truth.” Just as he said, i

56、f the content of Rap was changed, the spirit of Rap would be lost.In the 1990s, the most popular black Rap singer was 50cent. He was born in a typical slum where was full of drugs and crimes. Since he was born, he was scourged. His father died in his childhood, and his mother only cared about traffi

57、cking in drugs. When 50cent was 8 years old, his mother died in gas. When he was 12 years old, he came into his mothers life style, which led to ruin. He cheated his grandpa and grandma, selling marijuana in all directions. In a sense, the experiences of selling marijuana let him get to know the liv

58、ing principle on how to become a brave man. 50cent was captured twice average per three weeks. To him, it was not a proud thing to sell, but it was a social course that made him know he cant escape forever. In his heart, 50cent had an eternal dreamto be a Rap singer. Several years later, as long as

59、he was free, he went to his friends home where there was a basement to practice the garrulity, and in the twinkling garrulity, 50cent could get back his ego. Through his friends introduction, 50cent got acquainted with Eminem who was a Rap master-hand. He went a step further to learn creative techni

60、ques. Thereafter, 50cent started to compile albums. When he became more and more famous, he was attacked by a gunman at the door of his grandma house, in the queen area. After the strolling at the gate of hell, he realized the living attitude of cherishing. His chin and teeth were badly hurt, but th

61、e hurt let him have a unique tune-pattern of Hip Hop unexpectedly. 50cent was determined to keep a distance from drug, and later became superior both in the fields of popular music and Hip Hop.Get Rich or Die Trin was the most popular Rap album in the last ten years. This album included 2 champion s

62、ongs; 21Question had stayed for 13weeks in seniority. And In Da Club even continued staying for 23weeks. Rap was concerned with topics of drug, violence, and sex. Besides, it was embodied in the album that happy life only existed in fancy, and pretence was everywhere in truth.Thanks to the social en

63、vironment, 50 cent was forbidden to do many unmoral stupid things. In the song of what up gangster, it says that, “Ill hunt or duck a nigger down like its sport, from on me, Ill cut ya, gun-butt ya or bump yaIm the type thatll kill your connect when the coke price risechokes me, Ill have your mama picking out your casket, bastard.” The rude language deeply reflected the cult of human feelings.